And so, 17 days after that rejection, there is a new lawsuit filed by SAS itself against Sheeran, Amy Wadge (his co-writer on the song), his label Atlantic Records, Atlantic Records’ parent company Warner Music Group (WMG), his publisher Sony/ATV and WMG distributor Asylum Records.
SAS purchased its share of Townsend’s song catalog from his son Clef Michael Townsend, who inherited an unknown portion of the catalog after his father’s death in 2003. SAS now seeks $100 million in damages for the portion of “Let’s Get it On” it owns, which would be whatever portion of the song’s royalties Clef Townsend inherited from the slice of the song contractually given to his father.
The new suit includes detailed explanations of music theory in order to explain the songs’ supposed similarities — “In Gaye’s song, this chord progression within the backing pattern occurs in the key of E flat, and in Sheeran’s song the progression occurs in D major … listeners will hear the two progressions as functionally equivalent … Many listeners will not recognize that Frank Sinatra sang ‘My Way’ in D major, while Elvis Presley sang that song in C major; it is clearly the same song despite the difference in key.”
It’s not the first suit filed against a modern hit accused of copying a song by Gaye: Robin Thicke and Pharrell’s song “Blurred Lines” was the subject of another lawsuit, over its supposed similarity to Gaye’s 1977 hit “Got to Give It Up.” Thicke and Pharrell lost that case (and $5.3 million through its judgement) in a ruling that many considered controversial — the pair’s appeal, which was largely denied, drew supportfrom over 200 musicians.
SAS is owned by David Pullman, who is no stranger to the music business. Pullman is the creator of the well-known-to-some “Bowie Bonds,” a financial invention (which Pullman says he trademarked) that turned the royalties from 287 of his songs into 10-year bonds, which were sold for a total of $55 million. The plan almost tanked, due to timing — shortly after Bowie made off with his haul, the music industry descended into the Wild West of the digital era, meaning the 10-year vesting period of the bonds saw the royalties they contained drop precipitously, to possibly their lowest point ever. The bonds did, however, mature and were cashed in by their owners. The idea has since snowballed significantly, with whole companies now founded on the invention.